Emmett Ientilucci
Check out research, publications, etc.. Check out audio, pictures, etc. Check out pictures, etc.




Here are a few audio excerpts I cleaned up that demonstrate Buddy's persistence for perfection. Note he says the f-word 132 times. The transcriptions can be found below and on Page2, Page3.

AUDIO
1) After the first set

2) In the bus between sets
3) In the tour bus between sets
4) In a tour bus traveling to the next gig

Buddy Rich, The Person

Buddy Rich may have been the world's greatest drummer, but in his dealings with his bandmembers off the stand, he might be described as a total prick with ears. Rich had an ego that fed a perverse sense of perfectionism and the need to control and dominate the players in "HIS" bands. Below is a little compilation of some of Buddy's tirades that took place at different times and in different venues. It would appear that these "conversations" were transcribed from tapes that were made to document Buddy's explosive and sometimes verbally abusive behaviour. If Buddy had known that there were tape recorders being snuck into the rooms, I'm confident that he might have hurt someone. Please note that this little document contains GRAPHIC EXPLITIVES.

Notes: This is a transcription, with sound files, of some memorable moments off of "The Tape", the infamous bootleg tape of Buddy screaming at his band between sets, often on a tour bus. Adult language abounds, so read at your own risk.

The tape was created by a pissed off band member or two, who hid a walkman in their clothes between the sets to capture Buddy.

 

On a Positive Note...
I recently received an email from a trumpet player in Buddy's band. Read what he had to say about Buddy.

Emmett,
Hi, I have been looking at your site and I wanted you to know that Buddy Rich wasn't at all the way you have him portrayed, as a "prick". I played trumpet and stood next to him every night for almost three years from 1975-1977. We had a great band that loved and respected him and he was 95% a sweetheart the whole time. The only time I saw him as he sounds on the tapes is when he had a bad back, or a band full of young guys who couldn't play well but thought they could, who showed disrespect towards him and thought they were too good to be there. I went back later for a few weeks and the band was like that. He and I were both miserable. Steve Marcus and Buddy and I sat together on the bus one night and he asked what he could do to get the band back to a high level. He was frustrated that yelling didn't help. It only made the lousy players band together and feel persecuted while continuing to suck.

I know that tape sounds funny to most people, but to the people who knew him to be unbelievably generous, (I could tell you stories) funny, loving and a whole different kind of drummer than any other on Earth, that tape hurts because we hear his pain and confusion as to how guys can suck and not know it.

I'm sure you appreciate his playing or you wouldn't have bothered to design such a great site! (I'm from Buffalo originally. Are you in Rochester? We probably have mutual friends,) Anyway, I just thought you should know the real Buddy.

p.s. I played with Barry Kiener (keys) for most of my stay with the band. He was amazing. Not only could he play his ass off, he could remember what rooms everyone stayed in on any date of any year. (one of those freakish kinds of memory) We all loved him. Buddy was absolutely crazy about him. Anyway, keep up the good work with your love of music and I'm glad you didn't mind my spouting off about Buddy.

Sincerely,
Ross Konikoff


Audio One

(In a dressing room for the band)

BR-You think I'm runnin' fifteen fuckin'...Close that door. (musician slams door) What kind of playing is being played here the past two nights? What is this? New phrasing, new bending, new sounds, no time! What the fuck do you think I'm running here? What kind of playing do you call this? What kinda shit is going on in the fuckin'...(turns to the bass player) What kinda, what kinda setting do you got on the bass tonight?

Bass Player-Setting?

BR-I feel that's fairly much english.

Bass Player-It's the same as I've always had out there.

BR-What's with this, what's with this bending?

Bass Player-I decided...

BR-(interrupting) Who decided?

Bass Player-I did.

BR-Your deciding is wrong!

Bass Player-I didn't do it on purpose. I...

BR-(interrupting again) You're deciding what kind of phrasing. You're deciding who and what the leader is. You're gonna watch who you wanna watch...(turns to the rest of the band). Everybody's on two weeks notice tonight. I'm telling you, everybody gets two weeks notice tonight. I can't handle this anymore. You're all...(pauses thoughtfully) you're not my kind of people, at all. I don't understand this fuckin' kind of music at all. I don't understand what anybody is doing up there. I'm workin' my fuckin' ass off...(turns to a trumpet player) You put that fuckin' mouthpiece into that bell again, I'm gonna take that fuckin' horn and break it across my knee! Do you understand that?

Trumpet Player-I'll stay away, you can't hear a note though.

BR-I can hear everything! I don't give a fuck what you hear. I hear it, and all I know is that you're blowin' my fuckin' eardrum out! (turns to the saxophones) The saxophones, you can play the flute, there's no sound in flutes. All I hear is noise. If you get any fuckin' closer you'll electrocute yourselves. What do you think I got a man with a sound system out there for? Sit down and play some fuckin' music! You afraid you won't be heard, is that it? I'll turn the motherfucker off all of you, then see what kind of a band you got up there, without all the assistance. You can't play shit! I'm accustomed to working with number one musicians. I'm not accustomed to working with half-assed fuckin' kids who think they wrote the fuckin' music business. You got a long way to go. You got a long way to go. Every one of you got a long fuckin' way to go. Do you understand what I'm sayin'? You can't play shit up there for me. What the fuck you're doin' up there doesn't deserve to be called a "name" band. The fuckin' kids out at the park there, they sounded fifty times better than any one of you! And that's without a rhythm section. Maybe they enjoy what they are doin' here. If you don't enjoy it here, fuck you! And get off my band. Or we can find other ways to settle it. I'm just so fuckin' tired of having to go through speeches with you guys. You're all a fuckin' bunch of children. There's not a man among you, not one man who can go out there and play the job like a man. You're all up there, fuckin' high school, bullshit jive artists. You jived me for the last fuckin' time. You got two sets to make up your fuckin' mind or I get me an all L.A. band tomorrow night. Don't think that's not impossible. It's very fuckin' possible. I've had it with you guys. I ought to give each one of you motherfuckers a cut in salary before I get out of this fuckin' room!

(Exit Buddy, slamming the door behind him)

Go back to homepage